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My mother never liked Mother's Day. She thought it was a fake holiday
dreamed up by Hallmark to commodify deep sentiments that couldn't be
expressed with a card. So we never observed it when I was growing up.
She would much rather have had our company for the first Saturday in
May—she loved horse racing, and Derby Day most of all—than at an
obligatory brunch at an overcrowded restaurant eight days later. When
she was diagnosed with cancer in 2006 things changed a little, for me
at least. Suddenly Mother's Day had some meaning. It became an
inscribed moment to try to hold on to what was slipping away before my
eyes: namely, having a mother.
This Mother's Day is the second since she died, on Christmas Day, 2008 (I wrote about her death and my grief in Slate), but last year I was too dazed to notice much. Now, for the first time,
the endless mentions of the holiday everywhere ("Make your Mother's Day
reservations now!") have forced me to take stock, whether I want to or
not. Where will I be on Sunday? Where am I now? I wonder. Mainly, I
feel that while my grief has lessened—dramatically—my sense of being
motherless has intensified. I hadn't anticipated this. The first grips
of grief were so terrible that I couldn't wait to get beyond them, to a
state I hoped might be "better." But as each new day arrives I find
myself, though suffering less acutely, more unmothered. Strange. And: not part of the contract!
People with mothers can't really know what this is like, and I have new
empathy for friends who lost their mothers when they were young. I was
32, but even at this age, it hardly feels minor to lose one's model at
a juncture when I still have so many questions: whether and when to
have children, what to do about my mild allergy to the institution of
marriage, what a life's work should truly be. My mother was about my
age when she was promoted from schoolteacher to administrator, becoming
head of the middle school at Saint Ann's, where I was then entering the
seventh grade. I remember how nervous she was speaking in public the
first time, at a meeting the day before school started. She fretted all
that morning, dressing. I agonized with her, because I was deeply shy,
and such a task seemed heart-freezingly terrifying. Afterward I asked
her how it went. She said, "You know, you just have to do it. You don't
have a choice. And then once you've done it, you can do it again, and
it isn't so bad."
The Author with her Mother
This was her pragmatic approach to life—not idealized, not perfectionistic, but intensely present. If you could be
present, the rest would work itself out. Now, of course, she's not
present, and yet I have to figure out how I can be. One thing
that helps is summoning up her words and her jokes—even her little
rebukes; I might get irritated by something trivial, and then I catch
myself saying (often out loud) the very refrain of hers that used to so
irritate me: "Lighten up, Meg." In fact, as the grief passed, I began
to feel my mother inside me—usually on holidays or in groups.
I'm not much like my mother; that role falls to my brothers, who have
more of her blithe and freewheeling spirit. But lately there are these
moments when it's as if her spirit enters and inhabits me; it's
palpable, like being possessed. The word inspiration comes from the Latin words for "in" and "breath" (spirare, which also gives us our word for "spirit"). Maybe I've breathed my mother in.
On Easter, two of my mother's best friends and their families came over to
my father's, and I went too. I found myself making a little joke that I
thought my mother would've made over dinner. I hid Easter Eggs with her
friend Diana for her three young sons. The chaos of life suddenly
seemed more absurd than it ever had—for example, when the dog started
eating the Easter egg I'd thought I'd cunningly placed behind the
barbecue. (A week later, I was having dinner with an old friend who
lost her father almost 10 years ago. I asked her how her life had
changed following his death. She paused and thought. "Mostly, the world
seems funnier," she said.) That weekend both my mother's friends said:
At moments, you remind me of your mother more than ever. It's not my doing, I think; it's hers.
I think about my mother every day. But usually the thoughts are
fleeting—she crosses my mind like a spring cardinal that flies past the
edge of your eye: startling, luminous, lovely … gone. Which is to say,
I don't think concertedly about her as much as I used to. Mother's Day
forces me to do that. What comes to me this year—the gift I wish I
could give her—are all the things I never said along the way about how
much her example meant to me, particularly the way she was able to go
with the flow, never letting the perfect be the enemy of the good, and
nearly always making a joke out of the situation, even when, as usual,
our family turned up late to a wedding, covered in dog hair because the
retriever puppy wouldn't stay in the way back of the station wagon, but
leapt onto us where we squirmed in our "good clothes." Or when, in the
hospital two weeks before her death, she misread the "Diabetic Menu" as
the "Deathbed" menu and laughed so hard tears came out of her eyes.
But I think a lot about one moment: Once when I was in college, my parents
had a dinner party with some teachers. It was a festive midwinter
affair and everyone got a little lit on red wine. As two young teachers
were talking past us, my mother leaned over to me and said, "I just
wrote my mother a letter about what she meant to me. We're really bad
at saying these things in my family"—my mother came from a traditional
Irish Catholic family, gifted at merriment, teasing, and storytelling,
bad at expressing emotions—"but she's had breast cancer and I wanted
her to know. And it made me think about you, and how there are so many
things I don't say to you, but I want you to know." What she said next
was just that she loved me and was proud of me, but those words,
prefaced by her sharing a piece of her experience of what it was like
for her to be in the world, meant much more than the same words in any
other context. I recall clearly the sensation I had—a squeezing,
falling one, a silly, encompassing flush of love. And also this: In
that moment I could see her as more than my mom; I could see her as a
daughter, a person who'd had to make her own way in the world, who had
to learn to speak in public, to command authority—things she did by now
with such ease you'd never guess that once they struck her nearly mute
with fear.
In Motherless Daughters, journalist Hope Edelman notes that "the motherless child symbolizes a
darker, less fortunate self. Her plight is everyone's nightmare, at
once impossible to imagine and impossible to ignore. Yet to openly
acknowledge her loss would mean to acknowledge the same potential for
one's self." Edelman is talking specifically about children who lose
their mothers at a young age—but, in a sense, losing a close mother at
any age is a nightmare. The mother-child bond can be so strong, so
unlike any other, that it is categorically irreplaceable. Unmothered
is not a word in the dictionary, but, I often find myself thinking it
should be. The "real" word most like it—it never escapes me—is unmoored.
The irreplaceability is what becomes stronger—and stranger—as the
months pass: Am I really she who has woken up again without a mother?
Yes, I am.
It's funny what stays with you about a person. My brothers and I talk a lot about my mother's driving. She was a great
driver, with an extremely (and uncharacteristically) foul mouth. When
Eamon, my youngest brother, was little, she used to drive him to and
from his baby-sitter in Brooklyn on her own way to school. I was asking
him (now 22) what he remembered most about her, and he said, "The way
she wanted everything to be fun." (My brother Liam said this too:
"Things were just better when she was around.") Eamon reminded me of a
game our mother used to like to play on the way home: the game of not
getting stuck at a red light. This meant that sometimes she'd take a
different route than usual, that sometimes she pressed the gas pedal a
bit harder than she should have, and that at other times she dawdled,
taking her time rolling down a block so she'd reach the light just as
it turned green. Whenever anyone cut her off and acted wishy-washy (she
hated wishy-washy) she'd honk the horn; hitting the brakes, she
inevitably said, "You asshole," slowly and expressively. Once, she had
a meeting, and my dad drove my brother to work. Eamon was then about 2½
, with blond, cherubic curls. Someone cut off my dad. He hit the
brakes. Silence. Then, from the back seat, a lilting voice: "You ath-hole."
A dubious legacy, I suppose you might say, but I told my brother this
story the other day and he didn't remember it. (No harm, no foul.) What
he did remember about our mother was this: "She was very warm to lie
next to, like a blanket."
As much as the talking, the model-providing, the advice, it's that we miss: the blanketing warmth. One of the women Edelman interviewed
for her book said, movingly, about being motherless: "You have to learn
how to be a mother for yourself. You have to become that person who
says, 'Don't worry, you're doing fine. You're doing the best you can.'
Sure, you'll call friends who say that to you. … But hearing it from
that person who taped up all your scraped knees … that's the one you
keep looking for." Perhaps that's why now—though I'm usually very
polite in public—when I drive, I hit the horn more than I used to. The
other day I rolled down my window and said, softly into the air, "You
asshole."
Oh, and Mom: Todd Pletcher's Super Saver won the Derby this year, with Calvin Borel onboard, for his third of four Derby wins. That man is a rainmaker.
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